Call Girl Shoes

Call Girl Shoes!

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CALL GIRL SHOES!

Whenever you make love to someone, there should be three people involved — you, the other person, and the devil…

Robert Mapplethorpe

“Language,” continued Darconville, “often disguises thought.”

DARCONVILLE’S CAT

Alexander Theroux

A PSYCHOLOGICAL SURREALISTIC

21^ST CENTURY LOVE STORY - OR IS IT. . .

A tall attractive intimidating professor of psychology pays a stunning Call Girl $150,000.00 to teach him about life. But is she a Call Girl? Imagination and doubt are the evil twins to happiness.

Heated and erotic, an ode to nudity; pivotal scenes in Call Girl Shoes! take place in the surrealistic construction of London artist Dexter Dalwood’s envisioned painting of sadomasochistic photographer Robert Mapplethorpe’s ‘First Loft’, a prison camp-like interogation cell. Ostensively to map emotional changes in the human brain during Capture Bonding, the results are far different than imagined. But then what is imagined - like a vivid dream - is already a reality.

The beautiful German-Japanese Call Girl, Isabel Rawsthorne, stalks the young attractive lecture hall dictator Sidd Haller, Ph.D., setting him up to star in a pornogrphic film shot by hidden cameras . . .

In the end the protagonists struggle to define the tortuous and elusive emotion of bonding through an inadequate swarm of language. Totally original and innovative, always inexplicable, Call Girl Shoes! seesaws with reality, fluctuating between the innocent and the lurid in scenes that are electric.

Influenced by the writing of Alexander Theroux, Hermann Hesse and Lewis Carroll for the looking-glasses we do walk through; and the art of Francis Bacon, Matthew Barney, Robert Mapplethorpe, Dexter Dalwood and the wondrous and intricate art of Africa, Call Girl Shoes! is the cultural zeitgeist of the early 21^st Century. Nothing is as it seems . . .

Told in Sidd Haller’s ironic first person narrative, Call Girl Shoes! is an elegant unpredictable story - perhaps of a tangled love . . .

CALL GIRL SHOES!

BOOK I – Machiavellian Intrigue:

CAPTURE BONDING

Prologue - Harvard University

On the Harvard University campus outside the Minoru Yamasaki-designed William James Hall, the elusive young woman with an Olympus zoom lens camera evidently was filming architecture. Every day she had come back to the large white multi-windowed monolithic structure where the Department of Psychology is housed as if waiting for cumulus clouds to swirl into a perfect cerulean blue sky; for the right light or — for someone. That afternoon she was back again, her camera idle on a wide red strap around her neck. Ignoring the people entering the building at regular intervals, she suddenly focused her attention and her lens on one man. Wearing a black sweatshirt, jeans and loafers and carrying a crammed black briefcase, with thick black hair falling over his left eye and an ominous mien, Dr. Sidd Haller was tall, dark and rangy with a long impatient stride.

A visiting professor from UC Palo Alto, Dr. Haller had earned a wide reputation in his classrooms for taking no prisoners and apart from the fact that he assumed unchallenged sovereignty over his hapless subjects, there was always a wait list for his classes. In spite of – or because of - his Dr. Jekyll and Mr. Hyde reputation, his lecture series, The Value of Language in Sexual Cognition: Capture Bonding, drew Standing Room Only crowds.

Keeping a low profile, her silence each day had been monastic, but in the former she had been failing miserably. She stood out like a flare on a moonless country road. Her slender curvaceous body in skintight jeans and skimpy T-shirts; the large-lens sunglasses and something else separated her from the rest of the female students at Harvard: stilettos. Different pairs every day…

KI KI DOWD: A fifth generation native of San Francisco, McGraw-Hill published my first novel, The Three-Cornered House, a humorous allegory that has held up well. However, due to a considerable lack of experience at the time, I was unable to duplicate that book with a like effort. So falling back on my art education and contacts in Europe, I applied what writing skills I possessed to the research of royal European art collections. I have been involved in the visual arts all my life and continue to be an active and serious artist. For me, however, writing is as natural and necessary as breathing. When of the belief that I was slacking off, my mentor, three-dot Pulitzer Prize-winning columnist, Herb Caen, would yell, “Write!”

Call Girl Shoes: Christian Louboutin ‘Accroche Moi’

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